Great Movies
MZS
30 Minutes on: "The Mule"
Clint Eastwood faces the one enemy Clint Eastwood can't beat.
Matt Zoller Seitz is the Editor at Large of RogerEbert.com. He is also the TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism. His writing on film and television has appeared in The New York Times, Salon.com, The New Republic and Sight and Sound. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine, and the co-founder and original editor of Press Play, an IndieWire blog of film and TV criticism and video essays.
A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers.
Other Seitz books include Mad Men Carousel: The Complete Critical Companion, The Oliver Stone Experience, and TV (The Book). He is currently working on a novel, a children's film, and a book about the history of horror, co-authored with RogerEbert.com contributor Simon Abrams.
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Clint Eastwood faces the one enemy Clint Eastwood can't beat.
Is it paint-by-numbers if a virtuoso holds the brush?
Return now to those thrilling days of yesteryear.
A piece on the the culminations of Avengers: Endgame and Game of Thrones.
Potentially another "Dog Day Afternoon." Too bad about the execution.
One of the best documentaries about acting you'll ever see.
An interview with Mallory O'Meara, author of The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick.
You can tell by how Barry Jenkins photographs faces that he loves people.
A classic gangster picture, directed by and starring two masters of the form.
The familiar story, told with a naturalistic sheen, strong songwriting, most of the old contrivances, and a few new ones.
