Festivals & Awards
Cannes Film Festival Preview 2022
A preview of the 2022 Cannes Film Festival, which includes new films by David Cronenberg, Claire Denis, Kelly Reichardt, Park Chan-wook, and many more.
A preview of the 2022 Cannes Film Festival, which includes new films by David Cronenberg, Claire Denis, Kelly Reichardt, Park Chan-wook, and many more.
A dispatch from the New York Film Festival on the latest from Diao Yinan, Pedro Costa, Albert Serra and more.
A Far Flung Correspondent looks at Cristian Mungiu's award-winning film.
A dispatch from the 2018 Reykjavík International Film Festival covering Sergey Loznitsa's "Donbass" and a Swim-in-Cinema screening of Luc Besson's "The Fifth Element."
A guide to the latest on Blu-ray and DVD, including Game Night, Red Sparrow, Mishima, Graduation, Black Panther, and more!
Maria Dragus on "Graduation"; Phyllis Diller at the Smithsonian; Cinema's obsession with cyberpunk; Joy of "Sandy Wexler"; 10 real laws straight out of "The Handmaid's Tale."
A CIFF 2016 dispatch on David Singer's "Imperfections" and Anne Zohra Berrached's "24 Weeks."
Reviews from Cannes of Cristian Mungiu's "Graduation" and Nicolas Winding Refn's "The Neon Demon."
A guide to the latest and greatest on Netflix, On Demand, and Blu-ray/DVD, including "Guardians of the Galaxy," "Magic in the Moonlight," "Frank," and Criterion editions of "Safe" and "Time Bandits."
Barbara Scharres reports on the winners at the Cannes Film Festival.
Ben Kenigsberg makes his predictions for Sunday night's Cannes awards.
Power is rarely discussed at Cannes, and it’s ostensibly all about art, although careers can hang on critics’ approval, and whether films are sold here, and to how many regions of the world. The annual jury press conference on the opening day is the first and foremost love-fest in which the concept of competition is downplayed and jurors find novel ways to sidestep the question of comparing one film to another in order to award the Palme d’Or in ten days.
Marie writes: As some of you may have heard, a fireball lit up the skies over Russia on February 15, 2013 when a meteoroid entered Earth's atmosphere. Around the same time, I was outside with my spiffy new digital camera - the Canon PowerShot SX260 HS. And albeit small, it's got a built-in 20x zoom lens. I was actually able to photograph the surface of the moon!
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Beasts of the Southern Wild
• Chaz Ebert in Cannes
The Cannes 2012 Palme D'Or was indeed won Sunday by Michael Haneke for "Amour," the best film in the festival. And what an emotional moment to see its two stars, Jean-Louis Trintignant and Emmanuel Riva walk up on stage with Haneke to accept the award. A juror, Jean-Paul Gaultier said they gave the most emotionally real performances of any film in the festival. He said he bawled his eyes out. This was the second time in three years that Hakeke won the Palme, after "The White Ribbon" in 2009.
And surprisingly, three out of four of my award speculations also won prizes. However, if you listened carefully to the reasoning of the Jury you can conclude that actually all four of the lineup would have won.
The 65th Cannes Film Festival's eleven days of prediction, wild speculation and gossip, some of it centering on the notoriously cranky personality of this year's jury president Nanni Moretti, came to an end Sunday evening in festival's business-like awards ceremony (or Soiree de Palmares, as the French call it) that traditionally lacks the extended let's-put-on-a-show aspect of the Oscars. The jury was seated onstage in a solemn group, and the awards given with a modest amount of fancy-dress formality, a bit of unrehearsed fumbling, and acceptance speeches that were short, dignified and to the point.
The foul weather that has marred the usually sunny festival continued to the end, and elite guests and movie stars alike walked a red carpet tented by a plastic roof as the rain fell on the multi-colored umbrellas of the surrounding crowds. Festival director Thierry Fremoux personally held an umbrella for Audrey Tautou, star of Claude Miller's closing night film, "Therese Desqueyroux," as she headed up the famous steps in a calf-length ivory lace gown with a bodice heavily embroidered in gold.
Actress Berenice Bejo, an international sensation since her starring role and subsequent Oscar nomination for "The Artist," performed mistress of ceremonies duties in a white, bridal-looking strapless sheath with long train, her only jewel an enormous heart-shaped emerald ring. Just about the only prediction this year that turned out to be accurate was the one that advised that all was unpredictable under the jurisdiction of the pensive and often-scowling Moretti.