Festivals & Awards
Cannes 2022: One Fine Morning, Brother and Sister, Mariupolis 2
At Cannes, Mia Hansen-Løve's "One Fine Morning" and Arnaud Desplechin's Brother and Sister complement each other well.
At Cannes, Mia Hansen-Løve's "One Fine Morning" and Arnaud Desplechin's Brother and Sister complement each other well.
Ben Kenigsberg reviews two films about the creative process, Mia Hansen-Løve's Bergman Island and Ryusuke Hamaguchi's Drive My Car, from Cannes.
Marie writes: Once upon a time when I was little, I spent an afternoon playing "Winne the Pooh" outside. I took my toys into the backyard and aided by a extraordinary one-of-a-kind custom-built device requiring no batteries (aka: artistic imagination) pretended that I was playing with my pals - Winnie the Pooh and Tigger too - and that there was honey nearby; the bumble bees buzzing in the flowerbeds, only too happy to participate in the illusion. And although it didn't have a door, we too had a tree - very much like the one you see and from which hung a tire. A happy memory that, and which came flooding back upon catching sight of these - the animation backgrounds from the new Winnie the Pooh; thank God I was born when I was. :-)
(click to enlarge images)