I feel a strange compulsion to pet that fuzzy fox fur

Some artists have a way of riveting your vision with the certitude of what they do. This has nothing to do with subject or style. It's inexplicable. Andy Warhol and Grandma Moses. The spareness of Bergman or the Fellini circus. Wes Anderson is like that. There's nothing consistent about his recent work but its ability to make me go zooinng! What else do "The Darjeeling Limited" and "The Life Aquatic with Steve Zissou" have in common?

Now here's "Fantastic Mr. Fox," an animated picture with nothing in common with traditional animation, except that it's largely in one of the oldest animation styles of all -- stop motion, the one used in "King Kong." The animals aren't smaller than people but often larger, and more mature.

They live in a sometimes flat dimension; the cameras are happier sliding back and forth than moving in and out. The effect is sometimes like a old-fashioned slide projector. The landscapes and structures of this world are mannered and picture-booky. Yet the extraordinary faces of the animals are almost disturbingly human (for animals, of course). We venture into the UnCanny Valley, that No Man's Land dividing humans from the devised. Above all, their fur is so real. I've rarely seen such texture in a film.

The story involves a valley somewhere, by which is meant the world, which is ruled by:

Boggis and Bunce and Bean,
One fat, one short, one lean.
These horrible crooks, so different in looks.
Were nonetheless equally mean.

Nor are the animals all saints. Mr. Fox, voiced by George Clooney, was a flourishing chicken thief until times grew risky. Then, like a bootlegger after the repeal, he went straight -- or, more precisely, into journalism. He's the Walter Winchell of the valley, until he slips back into dining on takeout chicken, taking them out himself. This he keeps a secret from the upright Mrs. Fox (Meryl Streep).

His deception is blown, to everyone's great disappointment, when the fat, short and lean ones all turn into mean ones and declare war. Leading a team of other animals, Mr. Fox starts tunneling like the heroes of "The Great Escape" -- but in, rather than out.

These adventures provide the setting for personal drama, as an uncertainty arises between Mr. Fox's callow son, Ash (Jason Schwartzman), and a cousin named Kristofferson (Eric Anderson). Kristofferson is all a fox should be, as with that name how could he not? He's the family golden child, or fox. Does Mr. Fox admire the cousin more than his son? What kind of pop has he been, anyway?