A recap of the fourth episode from season two of The Mandalorian, Chapter 12: The Siege.
A recap of the SDCC panel about the gadgets of Disney+'s The Mandalorian.
What the writers of RogerEbert.com have been watching while being stuck at home.
The latest on Blu-ray and streaming, including The Lion King, Stuber, The Art of Self-Defense, and special editions of Ringu, An American Werewolf in London, and When We Were Kings.
The suggestions in this article are worth 10 billion dollars.
The staff reveals their individual picks for the best films of 2016.
Highlights of the live-action portion of 2015's D23, featuring "Star Wars: The Force Awakens," "Captain America: Civil War," and more!
A personal recap of the 2015 Critics Choice Movie Awards.
Highlights of home entertainment options on Netflix, VOD, and Blu-ray/DVD, including classics from Woody Allen, new horror films, "Chef," "Obvious Child," "Hellion," and much more.
A history of movies not directly based on comic books but definitely inspired by them.
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
Marie writes: It's no secret there's no love lost between myself and what I regard as London's newest blight; The Shard. That said, I also love a great view. Go here to visit a 360-degree augmented-reality panorama from the building's public observation deck while listening to the sounds of city, including wind, traffic, birds and even Big Ben.
Marie writes: The late John Alton is widely regarded as being one of greatest film noir cinematographers to have ever worked in Film. He perfected many of the stylized camera and lighting techniques of the genre, including radical camera angles, wide-angle lenses, deep focus compositions, the baroque use of low-level cameras and a sharp depth of field. His groundbreaking work with director Anthony Mann on films such "TMen" and "Raw Deal" and "He Walked by Night" is considered a benchmark in the genre, with "The Big Combo" directed by Joseph H. Lewis, considered his masterpiece. John Alton also gained fame as the author of the seminal work on cinematography: "Painting with Light".
The Big Combo (1955) [click to enlarge]
The Grand Poobah writes: "No man has a better wife than Chaz."
Marie writes: For those unaware, it seems our intrepid leader, the Grand Poobah, has been struck by some dirty rotten luck..."This will be boring. I'll make it short. I have a slight and nearly invisible hairline fracture involving my left femur. I didn't fall. I didn't break it. It just sort of...happened to itself." - Roger
(Click to enlarge)
Great Movies
