Our first video dispatch from Cannes 2022 includes coverage of the opening night screening of "Final Cut," preceded by a speech from Ukrainian President Volodymyr Zelenskyy.
The 2022 Cannes Film Festival kicked off with an address from Ukrainian president Volodymyr Zelensky. The opening movie, meanwhile, was a dismal remake.
A dispatch from Sundance on three premieres, including films starring Julianne Moore, Bill Nighy, and Elizabeth Banks.
A tribute to the late, great Richard Donner.
A look at the narrative features that premiered at this year's Tribeca Festival.
A preview of the next seven months of musicals hitting theaters and streaming services in 2021.
Writer Carlos Aguilar's answers the movie love questionnaire.
Matt writes: On October 8th, our site's publisher Chaz Ebert joined Dr. Nate Kohn in moderating the first virtual panel for the 2020 Ebert Symposium. Entitled "The Film Industry in a Time of Change," the insightful conversation featured such distinguished panelists as Michael Barker, Co-President and Co-Founder of Sony Pictures Classics; Neal Block, Head of Distribution and Marketing for Magnolia Pictures; Darrien Michele Gipson, Executive Director of SAGindie; Melissa Haizlip, director of "Mr. Soul!"; Malcolm D. Lee, director of "Girls Trip"; Mary Mazzio, director of "A Most Beautiful Thing"; Nina Shaw, founding partner in the entertainment law firm of Del Shaw Moonves Tanaka Finkelstein & Lezcano; and Christine Swanson, director of "The Clark Sisters: First Ladies of Gospel."
Chaz Ebert reports on Todd Haynes' "Wonderstruck" and the Netflix controversy in her second video dispatch from Cannes 2017.
An article about The Fugitive returning to Chicago's Music Box Theatre for the venue's 90th anniversary.
An interview with Guy Vandenberg and Steve Williams, subjects of Paul Haggis and Dan Krauss' documentary, 5B.
The latest on streaming and Blu-ray, including Captain Marvel, Gloria Bell, and a Criterion edition of Blue Velvet.
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