Festivals & Awards
Cannes 2022: Showing Up, Broker, Close
Kelly Reichardt turns up in Cannes with Showing Up, a late competition highlight.
Kelly Reichardt turns up in Cannes with Showing Up, a late competition highlight.
The bios and headshots for our esteemed guests at Ebertfest 2022.
A celebration of writer/director Elaine May, who will receive an honorary Oscar this year.
Ben Kenigsberg reviews two films about the creative process, Mia Hansen-Løve's Bergman Island and Ryusuke Hamaguchi's Drive My Car, from Cannes.
Ben Kenigsberg reviews Paul Verhoeven's Benedetta and Joachim Trier's The Worst Person in the World from the Cannes Film Festival.
A feature on addressing problematic art.
Matt writes: For our 400th edition of The Ebert Club newsletter, we are providing you with a direct pathway to our complete coverage of the 2021 Sundance Film Festival. Our exclusive reviews of the numerous enticing titles that premiered virtually this year are penned by Brian Tallerico, Nick Allen, Robert Daniels, Kristy Puchko, Carlos Aguilar and Odie Henderson.
A tribute to pioneering filmmaker Joan Micklin Silver, who told distinctive stories that often focused on Jewish Americans and women.
A look back at the comedic career of the late Carl Reiner.
A tribute to the director Joel Schumacher.
Expressing our gratitude to Managing Editor Brian Tallerico, who has now been a part of the RogerEbert.com team for six years.
An interview with director Rob Garver about his Pauline Kael documentary, What She Said: The Art of Pauline Kael.
A tribute to the Oscar nominated character actor, Danny Aiello.
A look back at the definitive performances from the most exciting American actor working today.
An interview with the writer/director of Squirrel, and a presentation of the short film.
A feature on the career of Leonardo DiCaprio through five performances: Titanic, Catch Me If You Can, The Aviator, Shutter Island, and The Wolf of Wall Street.